The prior post in this series established a base technique for adding grain, and now this post is going to look at very subtle changes to improve quality using the same 3-bit/channel quantization case from the prior post. The first change is to apply a clamped amount of sharpening prior to adding the grain. Grain can have a tendency to disrupt and mask fine detail. The sharpening is designed to increase the minimum contrast on an edge to the point where it survives the addition of grain. The second change is to adjust the Probability Density Function of the grain. The image below to the left is a crop from the prior post: no sharpening and a Rectangular Probability Density Function (RPDF). To the left: sharpening and something similar to a Gaussian Probability Density Function (GPDF). The differences can be hard to spot, look in the upper right under the green leaves. The fine detail is better preserved for the vines.

Sharpening

The sharpening is a simple 3×3 filter kernel applied to the linear color. The sharpening is limited so that the maximum change is proportional to the amount of grain added to the image.

float3 sharpen; // added to color to sharpen the image
float1 limiter; // constant factor proportional to the amount of grain added 
float3 maxSharpen = max3(abs(sharpen.r), abs(sharpen.g), abs(sharpen.b));
sharpen *= min(limiter, maxSharpen) / maxSharpen;

Probability Density Function

The prior post established a sorting technique to force a texture into a uniform or Rectangular Probability Density Function. After building a RPDF texture, the PDF can be changed by taking the grain value which ranges from {-1.0 to 1.0}, and applying a function to that value. Below I used f(x) = x*abs(x) to shape into a Triangular Probability Density Function (TPDF). And then f(x) = (3.0*x*x - 2.0*x*x*abs(x)) * sign(x) (aka smoothstep() in HLSL and GLSL ) to shape into something similar to a Gaussian Probability Density Function. First the result for the TPDF,

The TPDF reduces the amount of visible grain by reducing the probability of getting a grain value close to {-1} or {1}. This has a positive visual side effect of increasing clarity for fine detail. However this appears to have a non-energy conserving side effect as well: the quantized value is more likely to stay close to a band. In the above image the lower right dark colors move closer to black (in an area which has no full black values). This is easier to see in the four cropped swatches below. From the left to right: {RPDF, GPDF proxy, TPDF, and original image}.

The GPDR proxy below, implemented via the smoothstep() function, provides a middle ground which does not exhibit as obvious tonal separation,

Practical Application

Regardless of application of grain/dithering in linear (this series) or after conversion to a non-linear output space (alternative method), the aim of these techniques is to remove banding regardless of bit-depth and maximize the visual quality of the pixel. These techniques applied temporally look substantially better. Mikkel Gjoel’s dithering section of Playdead’s Low Complexity, High Fidelity – INSIDE Rendering talk at GDC 2016 shows a great example of using grain mixed with temporal AA to remove banding while maintaining cache friendly and lower bandwidth 32-bit/pixel color formats. See the first few seconds of the Youtube Video.